A look back on my main writing achievements for 2018.
On the destructive myth of a writer’s ‘voice’, and what ‘finding your voice’ actually means.
The delightful Holly Lyons, screenwriting lecturer at the Australian Film, Television and Radio School, and maven behind script assessment service Screenwriting Scriptease, invited me along last week to a speed pitching session for her screenwriting students. Along with some fellow industry peeps, we lined ourselves up for an onslaught of pitches from emerging writers and filmmakers […]
You can click here to jump straight to the checklist! As writers, we’re told to think outside the box. We strive to look beyond genre conventions, to make interesting connections so our concepts feel ‘fresh’ and ‘unique’. We scout for intriguing ways into our stories, and look to develop characters with traits and motivations that […]
If writing is re-writing, scriptwriting is script editing. And one of the most basic tools of script editing is the One Liner, which focuses you on POS (point of scene). As a bright-eyed, bushy-tailed trainee script editor, my boss assigned me some practise. After I’d mangled my way through a set of off-balance notes, […]
About a year ago, I came across a group called NYC Midnight that run a slate of online writing competitions. I’m usually pretty suspicious of these sorts of things, and to be honest I’m not someone who regularly enters competitions. But after poking about their website, I thought, why not? I’ll try it once, and […]
In which I discover ‘The I.T. Crowd’ properly and also discover Graham Linehan’s awesome approach to writing sitcoms. I clearly have been living under a rock for some time (not an unusual feeling for me I have to say). I recently picked up the box set of The I.T. Crowd, the British sitcom […]