So, I write for television and I get paid for it. It literally pays my bills and keeps me fed. I don’t earn an outrageous living, far from it, but I earn enough to maintain independence and sanity. I don’t have to dig wells, sell shoes or wait tables* to keep myself afloat. AND I …
Continue reading "Advice To New And Emerging Screenwriters (And Script Editors)"
Being a good producer takes a lot of guts. Generally speaking, I think film and TV producers get a bad wrap. We envision them as ruthless, mercenary sharks with no respect for the creative process, just the bottom line. But good producers couldn’t be further from that stereotype. (And that’s not to say there aren’t …
Continue reading "The One Difference Between Good and Bad Producers"
In which I discover ‘The I.T. Crowd’ properly and also discover Graham Linehan’s awesome approach to writing sitcoms. I clearly have been living under a rock for some time (not an unusual feeling for me I have to say). I recently picked up the box set of The I.T. Crowd, the British sitcom …
Continue reading "Have You Tried Turning It Off and On Again?"
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