On the destructive myth of a writer’s ‘voice’, and what ‘finding your voice’ actually means.
What’s The Point (Of Scene)? How The One Liner Changed How I See Stories
If writing is re-writing, scriptwriting is script editing. And one of the most basic tools of script editing is the One Liner, which focuses you on POS (point of scene). As a bright-eyed, bushy-tailed trainee script editor, my boss assigned me some practise. After I’d mangled my way through a set of off-balance notes, …
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3 Reasons Why I Recommend The NYC Midnight Writing Challenges
About a year ago, I came across a group called NYC Midnight that run a slate of online writing competitions. I’m usually pretty suspicious of these sorts of things, and to be honest I’m not someone who regularly enters competitions. But after poking about their website, I thought, why not? I’ll try it once, and …
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Ann Hood’s Top Ten Tips On How To Write A Kick-Ass Essay
I came across this fantastic podcast the other day via Tin House and featuring writer Ann Hood who shares her ten rules on how to write a 'kick-ass' essay. It is excellent and I urge you to listen to it immediately! The podcast is a recording of Hood's lecture given during Tin House's 2014 Summer Writer's Workshop. Hood is …
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Finding Your Process (Is Hard)
In which I say, try it all at least once, no matter what anyone says, and go with what works right now. I remember being a kid and wanting nothing more than to sit down with a fresh new notebook, full of lovely, clean white pages, and fill every single one of …
Review: War by Michael Workman (Performance, 2014)
In which I am delighted by Sydney’s growing comedy culture, talk a bit about the delightful David O’Doherty, and am delighted to see comedian and storyteller Michael Workman again. Despite being the biggest city in Australia, Sydney is not known for its comedy scene — Melbourne well and truly wears the comedy crown …
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