So, I write for television and I get paid for it. It literally pays my bills and keeps me fed. I don’t earn an outrageous living, far from it, but I earn enough to maintain independence and sanity. I don’t have to dig wells, sell shoes or wait tables* to keep myself afloat. AND I …
Continue reading "Advice To New And Emerging Screenwriters (And Script Editors)"
If writing is re-writing, scriptwriting is script editing. And one of the most basic tools of script editing is the One Liner, which focuses you on POS (point of scene). As a bright-eyed, bushy-tailed trainee script editor, my boss assigned me some practise. After I’d mangled my way through a set of off-balance notes, …
Continue reading "What’s The Point (Of Scene)? How The One Liner Changed How I See Stories"
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