Catching up on all the television, and playing Devil’s advocate with your characters… Here’s some different things I’ve been thinking a lot about this past month. Maybe there’s something here to interest you too?
DIFFERENT THINGS – APRIL 2021
The Greek gods reimagined, the grind of finishing personal projects, and the conundrum of screenwriting gurus… Here’s some different things I’ve been thinking a lot about this past month. Maybe there’s something here to interest you too?
DIFFERENT THINGS – JUNE 2020
Changing times, the need for change, creative crashing. June seems to have flown by, so a bit late with this one! Here’s some different things I’ve been thinking a lot about this past month. Maybe there’s something here to interest you too?
DIFFERENT THINGS – MAY 2020
Juggling projects, juggling murder, murdering projects. It’s been a pretty scattered time of late, but I’ve tried to pull together some different things I’ve been thinking a lot about this past month. Maybe there’s something here to interest you too? TELEVISION TELEVISION TELEVISION Ok, so I know everyone is watching inordinate amounts of television of […]
How To Write Movies: Mazin and Arndt’s Screenwriting Philosophies
I’ve spent a lot of time recently recommending a couple of fantastic resources to anyone and everyone I know in the middle of slogging it out on a screen story. The below two story lectures are fantastic for lots of reasons, but key to their impact is that they’re incredibly useful, craft-focused overviews for anyone […]
How Do You ‘Find Your Voice’ As A Writer?
On the destructive myth of a writer’s ‘voice’, and what ‘finding your voice’ actually means.
Speed Pitching! Things To Consider
The delightful Holly Lyons, screenwriting lecturer at the Australian Film, Television and Radio School, and maven behind script assessment service Screenwriting Scriptease, invited me along last week to a speed pitching session for her screenwriting students. Along with some fellow industry peeps, we lined ourselves up for an onslaught of pitches from emerging writers and filmmakers […]
5 Ways To Improve Gender Representation In Your Kids TV Concept
You can click here to jump straight to the checklist! As writers, we’re told to think outside the box. We strive to look beyond genre conventions, to make interesting connections so our concepts feel ‘fresh’ and ‘unique’. We scout for intriguing ways into our stories, and look to develop characters with traits and motivations that […]
The Power of Predictive Poetry
It all started (for me at least) when I saw this tweet from J.K. Rowling: The tweet was in response to sports blogger Bradley Geiser’s (aka NBA Kurt Vonnegut @therealbradg) request for people to write their autobiography using only predictive text, starting with the words ‘I was born’. This blew my mind! How amazing, and […]
A Fun, Feminist Magazine for Girls? Yes Please!
A couple of months ago, a friend got in touch to let me know about her latest project. And my heart skipped a beat. Nicky Shortridge and her childhood best friend Vivien Jones are busy creating Kookie – a fun, feminist print magazine designed for girls, that they are looking to fund through Kickstarter. In their […]
The One Difference Between Good and Bad Producers
Being a good producer takes a lot of guts. Generally speaking, I think film and TV producers get a bad wrap. We envision them as ruthless, mercenary sharks with no respect for the creative process, just the bottom line. But good producers couldn’t be further from that stereotype. (And that’s not to say there aren’t […]
What’s The Point (Of Scene)? How The One Liner Changed How I See Stories
If writing is re-writing, scriptwriting is script editing. And one of the most basic tools of script editing is the One Liner, which focuses you on POS (point of scene). As a bright-eyed, bushy-tailed trainee script editor, my boss assigned me some practise. After I’d mangled my way through a set of off-balance notes, […]
